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Lee Jaehyo generally uses wood and steel for his art pieces. After he inputs so much labor on those materials, we can see the structure which is repeatedly multiplies similar shapes. The concreteness of its shape expresses the process of dialectic change by the surface of its construction. From 30th March to 27th May, Sungkok Museum in Seoul will hold solo exhibition of Lee Jaehyo showing all periods of his works since 1990s. Is Korean contemporary art is making Hanryu in the global art world as like Korean pop culture? This feature attempts to sum up the objective opinions from the art people in the world who have been concerned with the Korean fine art so far. 11 professionals putting forward new visions about what the Korean fine art should focus on to be well established in the world. The art markets in the 21st century have been dominated by money. Art markets are affected sensitively by socio-economic changes. art in ASIA reviews the hither-to events of domestic and foreign art markets in view of chronology and graph.
Editorial
The Korean stream of Art in Taiwan  Bog-gi Kim

SPECIAL ARTIST_LEE JAEHYO
Truthful Adaptation of Nature Shin Hangseop
The Force of Will and Nature Edward Lucie-smith
Reconciliation of Material and Shape Choi, Taiman

FEATURE_ HANRYU: KOREAN ART WAVE
11 Art People? Opinion on Hanryu in the Global Art Scene
JohnRajchman, Franck Gautherot, Glenn Barkley, Hans D. Christ, Roger M. Buergel_Henk Slager, Hiromi Kitazawa, Huang Du, Chiba Shigeo, Chu Teh-I, Gu Zhenqing

ART MARKET
Mapping 21st Century World Art Market    Boggi-Kim, Sae-mi Kim
 
IMAGE LINK
Mayumi Terada? Living Absence

ARTIST’S NOTE
To be Closet to Reality    Simon Raab

CURATOR’S VOICE
Maeul-misul Art Project  Kim Hae Gon
 
YOUNG ARTIST
decCAT Studio    Kyoung-yoon Ho
 
ART NEWS
Art Dubai_Yong Art TaipeI_Art HK_Art Fair Tokyo_Armory Show_Kiev Intl. Biennale_Berlin Biennale_Lee Bul_Do Ho Suh_Yayoi Kusama_Ungovernables

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art in ASIA raises the question about the Korean contemporary art in the 21st century. The special feature must be very significant in that it is the first attempt to sum up the objective opinions from the art people (museum directors, curators, critics, journalists, etc.,) in the world who have been concerned with the Korean fine art so far. Those outsider fine art professionals recall their network with the Korean fine art, while putting forward new visions about what the Korean fine art should focus on to be well established in the world. They testify to various episodes about their overseas activities such as exhibition planning, transportation of art works, PR and global networking. 11 professionals putting forward new visions about what the Korean fine art should focus on to be well established in the world. More..
 
Lee Jaehyo creates figures with a sense of volume, thus manifesting a rich, poetic, imaginary space. Lee masterfully creates these exquisite aesthetic forms by accentuating the relationship between the organically curved outline of the tree and the sinuous metallic surface. He forms his materials. He respects their inherent qualities but also dominates them, both by force of skill and by force of will. In doing so, he initiates a dialogue, both with them and with us as spectators. For Lee, nature is neither a subject of confrontation, nor of subjugation and domination, but is the precious source and reason that he needs to learn for his work. When we show respect for nature, it then becomes a place of reconciliation between materials and shapes, not a stage of confrontation. More..
 
Depression in the art market that started in early 1990s took 14 years of time to be recovered. However, art market’s recovering speed is very fast. Short term investment in contemporary art is on the rise. In this age influenced by internationalization and neo-liberalism, geography of world art market is in inevitable relation with artist power of each country. art in ASIA analyzed contemporary art market in view of auction results and art fair trends regarding the streams of world economy in the 21st century. More..
 
 
The artist and scientist Simon Raab was born in Toulouse/France in 1952. His mother comes from Luxembourg, his father from the former Czechoslovakia. Raab grew up in Canada, studied surface physics and mechanical engineering, and later received his doctorate from McGill University, Montreal. Recently his solo show “Surface Tension” is now on showing from 24th Feb. to 25th March at Michael Schultz Gallery, Seoul. He says “The art begins formalized, boundary and then begins to quickly escape and deform and seek other dimensions. Where we are and what we are, are but probabilities; empty space contains energy and space is deformable by the presence of matter which is always in motion.” More..
 
Maeul-misul Art Project is the public Art Project changing commissioned villages by artists and residents with supports of organization manager Maeul-Misul Art Project Committee and local governments. This project is started at 2009 with sponsorship by the Ministry of Culture, Sports and Tourism, Korea. This year, 10 cities, towns or villages in Korea including City of Yongcheon, Kimpo, Namwon, Jeju Seoguipo, Boryong, Cheelwon Gun, Inje Gun, Geochang Gun, Keumsan Gun, Hwasoon Gun were selected through 3 types of contest and project themes. More..
 
ARSENALE 2012 will be the first Biennale to take place in Kiev, Ukraine. Under the Direction of Commissioner, Nataliia Zabolotna and artistic direction of renowned British Curator, David Elliott, the Biennale will be entitled “The Best of Times, The Worst of Times.” Rebirth and Apocalypse in Contemporary Art, based on an idea inspired by Charles Dickens’ A Tale of Two Cities (1859). On display in the historic Mystetskyi Arsenal, a magnificent former military building in the heart of Kiev, ARSENALE 2012 will feature works by over 100 leading and emerging international and Ukrainian contemporary artists, including over 40 new works previously unseen or made especially for the exhibition. More..
 

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